Friday, May 28, 2010
Somehow, I find myself the winner of a Daytime Emmy award for Outstanding Achievement on an Animated Television Series.
The award is for character designs I created for a show within a show on Sesame Street, called Abby's Flying Fairy School.
I'm very happy to get this award (hell, I'm happy to get any award) but it's still mysterious to me.
The Emmy's are like the Oscar's in that there are nominees who must wait for the evening of the event and the tearing of the envelope to see who finally wins. For some reason, my category, Outstanding etc., is the only one that is prejudged so I don't even get to look shocked, nervously unfold my crumpled speech and forget to mention my wife. I do, however, get the swell statuette as seen above.
The gig came about completely by accident when I bumped into an acquaintance, Ronda Music, at my local coffee shop. She told me about this show she was producing and would I consider doing some designs for it. I said, "Absolutely not! No Way. I'm busy working on my children's book and it would be suicide for me to try and do anything more."
I started work that afternoon.
I have always loved the Muppets (talk about pleasing character design!). If anyone has ever honed in on what makes a character appealing, it was Jim Henson and it was fun using his visual vocabulary. My only regret is that they aren't actual, real-life Muppets (the show is CG). I would love a chance to design one of them!
A Gerbilcorn ( a gerbil/unicorn)
Thursday, May 27, 2010
In between my duties as the character designer on Ice Age 4 (that's right, Ice Age 4) and efforts to maintain my career as an illustrator, I sometimes have the opportunity to design for television commercials. Of the handful of commercials I've worked on, most have been with Hornet Inc., a cool little production house in Soho, N.Y.C., that does a really impressive variety of work. The commercial, which is a quick thirty seconds long, is about a race between a whale and a shrimp. Below are a few sketches, turntables and the finished version.
This is one of the first versions of the shrimp I came up with before I realized he needed to be a bit more motocross.
I explored various species of whale and for performance reasons, decided on the sperm whale.(No pun intended).
Whale model turntable
Shrimp model turntable
Friday, May 14, 2010
My love for the three dimensional cartoon figure goes back before computer animation was even invented and way before my professional life began. I clearly remember at the age of five or so, my preoccupation with hand puppets, particularly one I owned of a frog. I can remember delighting in the way his eyes were simply two orbs stuck to the top of a simple sphere, which had a cut across it's diameter that provided him his perfectly frog-like mouth. I can still recall the satisfying clop! those two shapes made when closing them hard with my little hand. He wasn't my only puppet. I had a terrifying Jerry Mahoney ventriloquist dummy as well, who I would push down the stairs to see in what freakish position he would land.
The attraction to these weird homunculi stowed away somehow into my adulthood and is not only evident in my work, but on the shelves of my studio as well. These various toys, sculptures and maquettes scare the hell out of my daughter, Paulina and she refuses to come downstairs to my studio unattended. In truth, I can't blame her. Some of them are pretty damned creepy.
I thought it would be fun to show a few examples to you and tell you what little I know of them, or at least what they bring to mind.
The obvious resemblance to Darla not withstanding, I found this little bronze sculpture of a pitt bull irresistible. Apart from the beautiful molding of it's cartoon form, it weighs a highly satisfying couple of pounds, deceptively heavy for it's small size. I would bet money that it portrays Bonzo, a popular cartoon dog from the 1930's, created by George Studdy.
A happy couple.
This heavy, plaster sculpture of a cat is almost three feet high and has all the stuff I love about good character design. The exaggeration of the pose and the breakdown of the shapes make me happy every time I look at it.
This is a contemporary piece of sculpture, done in papier-mache, I believe, by a brilliant young talent named Chris Sickels, who singlehandedly runs an enterprise he calls Red Nose Studios. Amazingly, he creates tableaus exactly like this one, for use as editorial and advertising illustration, among other things. This means that he has to do them fast! Not only does he have to first conceptualize the piece, but than must sculpt the figures ,design and create the costumes , paint the figures and props and then photograph the final result. Go to his site and enjoy this unique and beautiful work.
Several years ago now, my friend and illustrator, Steven Guarnaccia, decided it was time to sell part of HIS collection of weird toys, which by the way, is astonishing in it's breadth and goes way beyond strange cartoon characters. Steven has always had an amazing eye for design and the books and toys he collects are evidence of how sharp his eye really is. I'm guessing that he decided he could no longer live with this mutant elephant "toy" and I'm beginning to wonder the same thing.
Above is what was once a Victorian rubber squeaky toy. You might not be able to see it, but there is absolutely no fun in this guys face.
That's what I love about it.
I'm embarrassed to admit how many of these superhero figures I own. My obsession with them has almost nothing to do with the characters they represent, as there are literally hundreds of different statues you can buy that portray them. No, what I love about them is that they were designed by Bruce Timm, a comic artist with the reductive eye of Brancusi. Look at the shapes on the Batman figure and how beautifully distilled they are. Timm is credited with resurrecting and reinventing Batman for television, Batman, The Animated Series (check out the killer title sequence!). The genius of these over-the-top, film noir inspired adventures, was in the style that Timm created, which not only streamlined the look of all of the characters, but in a way that actually embraced the limitation of farmed out television animation. In other words, he took the budgetary restriction and made it an asset.
(I'd love to credit the sculptor but I can't locate his name. Anyone?)
The very first image at the top of this post is of a painted metal figure that once sat atop some kind of early vending machine and probably turned a crank when a coin was deposited.
I wonder what the machine sold.
Monday, May 10, 2010
What can I say? His work has always meant a lot to me, obviously. I can't help but feel sad about this.
From his family:
Frank Frazetta, one of the most renowned fantasy illustrators of the 20th century whose stunning and energetic images influenced a generation, died this afternoon at a hospital near his home in Boca Grande, Florida. He was 82.
The cause of death was a stroke.